:Episode One Hundred Seven: 06.01.2018
| Artist | Title | Album |
|---|---|---|
| Acid Mothers Temple & The Melting Paraiso U.F.O. | In O | In O To ∞ |
| Burnt Hills | Rise Above, Pt. I | Rise Above |
| Colour Haze | Arbores | In Her Garden |
| Penguin Cafe Orchestra | The Snake and The Lotus (The Pond) | Signs of Life |
| The Lumerians | XuluX | Transmalinnia |
| The Sight Below | At First Touch | Glider |
| Unknown Mortal Orchestra | Extreme Wealth and Casual Cruelty | Multi-Love |
| Poolside | Without You | Pacific Standard Time |
| Grails | The Moth & The Flame | Chalice Hymnal |
| Circle | Virsi | Triumph |
| Barn Owl and The Infinite Strings Ensemble | Levitation | The Headlands |
| Expo 70 | Cognac Smoke | Night Flights |
| Master Musicians of Bukkake | Turning to Face The Setting Sun | The Visible Sign of the Invisible Order |
Description
[Note: due to technical problems at House of Sound, there are a few noticeable gaps in the audio of this week's show]
After a two-song opening set, featuring a track from "In O To ∞", Acid Mothers Temple's follow-up to their version of Terry Riley's In C, and a feedback drenched blowout from Burnt Hills, I welcome my brother back to the show, to introduce an individually curated set of his own favorite spacey music.
This guest set includes Earthless-esque German power trio Colour Haze, Penguin Cafe Orchestra, known primarily for that one song that's been in every other tech commercial since the 90s, Bay Area organ-heavy retro-rockers The Lumerians, The Sight Below, Unknown Mortal Orchestra, the ambient pop sounds of Poolside, and Portland's own psych-sludgesters Grails.
I then end the show with a quartet of Space Program mainstays: Circle, Barn Owl (accompanied by The Infinite Strings Ensemble), Expo 70, and Master Musicians of Bukkake (with a vinyl-only bonus track from the reissue of their first album, "The Visible Sign of The Invisible Order").