psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present

:Episode One Hundred Ninety-Six: 7.31.2020

Artist Title Album
Black HeliumPink BoltThe Wholly Other
Les Big ByrdRoofied AngelsRoofied Angels EP
El JefazoSerpienteSimbiosis
Mercury BoysAtlas FallingReturn to Cinders
Dätcha MandalaMohaHara
John CarpenterSkeletonSkeleton (Single)
John Di StefanoFor The MomentFor The Moment
IXNAGalileoKnotpop
KMRUKlangPeel
Makaya McCravenKings and QueensUniversal Beings E & F Sides
Sven WunderRed RoseDoğu Çiçekleri
J.H. GurajMigrationIntrospection / Migration
Jack BrieceIn EightHeterophonious Fool
Shackleton & Wacław ZimpelPrimal DronesPrimal Forms
AutoteliaRed BloomI
Jon HassellLunarSeeing Through Sound: Pentimento, Vol. 2
Ashtray NavigationsThe Final HitGreatest Imaginary Hits
Listen Now!

Open playlist in Spotify

* Not on Spotify:
Nothing this week. Sometimes, they really do have it all.

Description

Opening the show is Black Helium, with some rather heavy (ironic, given that they're named for a lighter-than-air element) psych-metal, followed a little later by a new single by the great John Carpenter (is there a better time to watch his "apocalypse trilogy": The Thing, Prince of Darkness, and In The Mouth of Madness?), a song that... has nothing to do with any of his cinematic endeavors, the first such in four years. There's also a bevy of great ambient tunes this episode as well, including the field-recording-augmented drones of Kenya's KMRU, the 4th-Worldian pop-ambient of Shackleton & Wacław Zimpel, the neo-kosmische of Autotelia, and the ultra-lo-fi buzz of Ashtray Navigations (from a retrospective of their twenty-seven year(!) career spanning four discs, each individually curated by a "celebrity" fan of the band, including Henry Rollins(?!))