psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present

:Episode One Hundred Ninety-Four: 7.10.2020

Artist Title Album
CannibalePetit Orang-OutanPetit Orang-Outan EP
Centre el MuusaTurkeyfishCentre el Muusa
DimmaFörsvinna I DunkelImorgon Börjar Allting Om
Frankie and the Witch FingersCaveheadCavehead (Single)
Ennio MorriconePazzia In CieloPsychedelic Ennio Morricone, Vol. 1
Ennio MorriconeAnimalettiPsychedelic Ennio Morricone, Vol. 2
Ennio MorriconeSperduto a El Cairo (Version I)Psychedelic Ennio Morricone, Vol. 2
Ennio MorriconeGiorno Di NotteCrime and Dissonance
Ennio MorriconeCorsa Sui TettiCrime and Dissonance
Ennio MorriconeEternityThe Thing OST
SkymindsBeyond the ClearingShapes & Traces
Jack EllisterDas Wesen des SeinsLichtpyramide
InventionsCalicoContinuous Portrait
ColosslothScylla Is RisingPlague Alone
Tunnels Of ĀhRitual for the New DumbDeathless Mind
Luke SchneiderMundi Tuum EstAltar of Harmony
Open playlist in Spotify

* Not on Spotify:
Ennio Morricone - Eternity (from The Thing OST)

Description

This is somewhat a "lost" episode in that something happened to the HoS recording (it just disappeared about a week after I recorded it) though it lives on, without my commentary, on Spotify. The opening set is bookended by a pair of singles: one a nineteen-minute-long (eat your heart out Iron Butterfly) Euro-prog epic by France's Cannibale, and the other a 4:20 (duuude!) neo-garage gem by L.A.'s Frankie and the Witch Fingers, which exhibits the Afrobeat influence first demonstrated on last year's ZAM. But the heart of the show is the middle set, which I give over entirely to the music of the late, great Ennio Morricone, who passed away the week the show aired. This includes some deep cuts from the excellent, Alan Bishop-curated compilation Crime and Dissonance, as well as a track from my own vinyl copy of the soundtrack to The Thing (not on Spotify, sadly).