psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present

:Episode One Hundred Eighty-Two: 4.10.2020

Artist Title Album
SunwatchersSunwatchers vs. Tooth DecayOh Yeah?
MaseratiDer Honig (Dinger Mix)Killing Time (Single)
Flat WormsThe AughtsAntarctica
ShrinebuilderScience Of AngerShrinebuilder
Randy HoldenKeeper of My FlamePopulation II
Mike CooperLegong / Gods of BaliTropical Gothic
Evan CaminitiRussian PalmVarispeed Hydra
Jac BerrocalBlanche de BlancIce Exposure
Butzmann / KapielskiWurmbergWar Pur War
Cucina PoveraTeerenpeliTyyni
Felicia Atkinson (ft. Stephen O'Malley)Des PierresThe Flower And The Vessel
Abul MogardPlaying On The StonesKimberlin OST
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* Not on Spotify:
Nothing this week. Sometimes, they really do have it all.

Description

Among the highlights of this week’s show:

A new single from the band Maserati who... I think (and feel free to correct me if I'm wrong here) draw quite a bit of inspiration from late-90s/early-00s post-rock/electro-revival trio Trans Am. They have the same latter-day, circa-80s Krautrock (e.g. Zero Set, Neu! 86), sound, with the same veneer of 80s hard rock cheese, and even share their name with a car strongly associated with that decade (although Maseratis were more of a yuppie car, while Trans Ams were sort of the working man's Corvette).

The recently-reissued Population II (don't bother looking for a Population I, by the way. The title is a reference to the number of musicians involved) by early-70s hard-rock iconoclast Randy Holden. When I first seriously started getting into psychedelic music in college, this was one of those out-of-print, whispered-over holy grails ("yeah man, it's this guy who got kicked out of Blue Cheer for - get this - bein' too fuckin' loud!") that didn't quite live up the hype when I finally heard it, but that's still a worthwhile listen for any true head.

A really lovely, longform avant-garde piece by Felicia Atkinson, featuring a bit of low-end rumble by Sunn O))) dude Stephen O'Malley. I think I described it on air, jokingly, as being "for fans of ASMR" and then came to find out that Felicia Atkinson is now referring to herself as an "ASMR auteur." There's got to be a compound German word for joking about something and then finding out it's true, like jokenundfindenaufdasistreal, or something.

Plus, new psychedelic punk by Flat Worms, a reissue of doom metal supergroup Shrinebuilder's (including members of The Melvins, Sleep/Om, and Neurosis) sole album, and some jazz-inflected French avant-garde by NWW collaborator Jac Berrocal.